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Go Back   REVscene Automotive Forum > Vancouver LifeStyles (VLS) > Music & Clubbing

Music & Clubbing Rock your official RS Gear from Shop.Revscene.net (keyword search REVSCENE)
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Old 02-01-2013, 01:08 PM   #3326
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lol mystery guest.

Didn't some people pay $100 outside commodore last time thinking it was gonna be alesso.
When I was getting in people were selling for $150.
I'm sure someone bought those tickets.
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Old 02-01-2013, 01:16 PM   #3327
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From Armin, Jochen, and Morgan page to Calvin Harris, Nicky Romero, Michael woods....
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Old 02-01-2013, 02:12 PM   #3328
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meh.. just meh
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Old 02-01-2013, 02:21 PM   #3329
Isaac's Hardstyle Sessions
 
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CALVIN HARRIS FUCK YEAAAAAAAAA

DUDUDUDUDUUDUDU SUCH SWEET NOTHING
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Old 02-01-2013, 02:24 PM   #3330
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Still no Tiesto, @Drow

And I could've sworn Deniz Koyu would be in the Seasons2013 lineup

Blueprints played Antidote in their 2012 teaser and Steve Angello was announced...

They play Bong in the 2013...and Calvin Harris is announced.....Still happy about Nicky Romero though
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Old 02-01-2013, 02:27 PM   #3331
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jeedee my brah tiesto is the main course

it is only expected that calvin harris will precede the King
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Old 02-01-2013, 03:42 PM   #3332
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for guestlist to chris lake event

SEASONS FESTIVAL 2013 :: Blueprint Events
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Old 02-01-2013, 04:07 PM   #3333
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fuck yea Calvin Harris nicky Romero and Michael woods are all killer
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same night as Andrew rayel , shogun and Nadia ali though


free chris lake show been wanting to see him for the longest time


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Old 02-01-2013, 04:16 PM   #3334
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March 28- Sander Van Doorn at Caprice

March 29- Chris Lake at Celebrities (This is a FREE event! Get on the Guest List.)

March 30- Calvin Harris, Nicky Romero, Michael woods, Burn at PNE

Early Bird $59.50
Tier 2 $69.50
Tier 3 $79.50
VIP $119.50
VIP Tier 2 $129.50

March 31- Adventure Club at Celebrities

Tickets go on sale Thursday at 11AM
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Old 02-01-2013, 04:38 PM   #3335
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60 isn't so bad...do wish it was deniz koyu tho
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Old 02-01-2013, 04:39 PM   #3336
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lol Seasons... but who was trance?
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Old 02-01-2013, 04:48 PM   #3337
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^no love for trance
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Old 02-01-2013, 05:15 PM   #3338
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Then fuck it. NO TRANCE NO DANCE
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Old 02-01-2013, 05:51 PM   #3339
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nicky romero was too good at caprice. cant wait to see him at a big venue
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Old 02-01-2013, 06:34 PM   #3340
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ya....I'm taking a pass on Seasons. I understand the no hardstyle at majority events but having no trance!? I hope this trend doesn't continue...
It's gonna be tough deciding between Rayel & Shogun w/ Nadia but even though I've seen Shogun 3 or 4 times now it'll be worth it just to hear ;
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Old 02-01-2013, 06:59 PM   #3341
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house music is definitely more popular than the other genres at the moment, by far. its easier for mainstream and commercial listeners to get in to. everyone loves their trance and trance probably has the most loyal fan base, but house has taken over. u look at the beatport top 10 its entirely dominated by house. guys like W&W realized this and pretty much moved away from trance entirely, not saying its a bad thing because they've gotten huge because of this. compare the stuff they made during impact and look at the stuff they make now. only guys like armin, markus, and dash can maintain popularity in the mainstream
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Old 02-01-2013, 10:41 PM   #3342
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did some google research on why he got kicked and kicked out of his set

Hardwell's Canadian tour hits a snag in Kingston when Dyro was "kicked in the face" — EDM Canada

The Anonymous Raver | Just a fan's view…

edit: makes me wonder if he got kicked in the face at all... i really doubt it unless we see proof....
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Old 02-04-2013, 04:50 PM   #3343
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From Hardwell's Twitter last night:

@DyroMusic even got kicked in the face two times!!!! Never play this club again @StagesNightclub Kingston, Canada

Hardwell ‏@HARDWELL
My buddy @dyromusic and manager just got kicked out while playing his set! NEVER play this club again! @StagesNightclub Kingston, Canada



Wut.
lol ex told me about this. She also said Hardwell was macking on a bunch of Kingston ratchets
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Old 02-04-2013, 11:21 PM   #3344
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For anyone that missed it:


Do you hear what I HEAR?

Sad that he lost tho
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Old 02-05-2013, 12:39 AM   #3345
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How much did you guys pay for hardwell tixs?
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Old 02-05-2013, 12:42 AM   #3346
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Old 02-05-2013, 12:54 AM   #3347
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How much did you guys pay for hardwell tixs?
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60
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Old 02-05-2013, 02:23 AM   #3348
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How much did you guys pay for hardwell tixs?
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75 after taxes/fees
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Old 02-05-2013, 10:12 AM   #3349
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An interesting story:

Source: KASKADE, No One Knows Who We Are

Original Article: http://www.latimes.com/news/local/la...,5564847.story

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No One Knows Who We Are

This past Sunday, the LA Times ran an article which was essentially an inflammatory pummeling of the EDM scene. It painted a picture of “Ecstasy-fueled underground” raves, bumped up into the mainstream, leaving a trail of dead, drug-addled kids being picked up by the “…coroner’s wagon rolling down desert roads.”

Please. I’m all for looking hard at things that need to change, but first the fiction has to be knocked out of the discussion. Let me set a few things straight.

First off, this article is irrelevant and outdated. Perhaps if these journalists had written this twenty years ago, when the truth was a little more ragged, they could have made an argument that wasn’t so laughable. Back when warehouses were being broken into, fire codes were ignored, dodgy generators were powering a massive sound system and restrooms were non-existant. This was a time that safety probably wasn’t exactly job one. Things were smaller then, though. There weren’t tens of thousands of people looking to gather in one place, not like now. This scene has grown, and in response to the people it serves, it has grown up.

Today, massive events are being held on terms that have been scrutinized by engineers, civil servants, fire chiefs, policemen, and all manner of bureaucratic safety hoops. As EDM’s numbers have become larger, we’ve become more accountable. No longer hiding in an abandoned warehouse, we’re paying taxes, paying dues, and stimulating the hell out of each cities’ economy that hosts an event. Before the doors ever open, there is a string of green lights that have to be run through by people whose business it is to keep these events safe. The same codes put into place for every other genre of music applies to EDM. To say otherwise is untruthful and adheres to dangerous stereotyping.

I wouldn’t dare say we ignore the tragic accidents that happen. I wouldn’t dare say they don’t happen. But it takes a rudimentary understanding of the Basic Laws of Probability to guess that the more people that show up to these festivals, the larger the risk is that something goes awry. This isn’t unique to this music. This is a universal principle. Can we hope to avoid it? Absolutely. Can we take every precaution and security measure to hedge the odds? Definitely. But can the promoter be held responsible for the actions of the individuals at his events? No he can not.

What it comes down to is this: The responsibility to address substance abuse and addiction cannot come down to people who are event promoters. Not only is it unrealistic to expect them to tackle such a huge problem, it’s an enormous insult to those who have made it their life’s work to do so. Clearly, if the US Government hasn’t come up with the magic bullet to quell the problem of drugs in this country, it is not reasonable to expect an event promoter to pull this kind of trick out of his hat either.

I am dug in so deep that articles like this one, smacking of uninformed bigotry fire me up in a pretty passionate way. To assign responsibility of regulating drug use to concert promoters is ludicrous, in the extreme. To paint a picture (bordering on hysteria) of a community of people as capricious and reckless drug users is irresponsible.

This is a conversation that has been going on for decades. I don’t expect it to end here. But know this: as far as a music culture goes, EDM is the one who will accept the kids on the outliers, the ones who get bullied, the ones who feel like they may not quite fit in. This community is exceptional in its ability to bond all types together, and I am not exaggerating when I say it saves lives. Our audience is intelligent and kind, discriminating only in regards to which sound they like best. Our audience is unprecedented in their drive to proactively support each other.

There’s your story, LA Times. Do the world a favor and dig into that for a change, punks.

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Old 02-05-2013, 10:53 AM   #3350
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I paid like $65 when they first came out, pays to buy ahead online.
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