Roger Ebert: The Man, The Legend

[Graeme S]

This is an awesome article about his battles with Cancer and how he's sprung back by going back to who he used to be.

Roger Ebert: The Essential Man

It has been nearly four years since Roger Ebert lost his lower jaw and his ability to speak. Now television's most famous movie critic is rarely seen and never heard, but his words have never stopped.

Read more: http://www.esquire.com/features/roge...#ixzz0gs0eH7ic


For the 281st time in the last ten months Roger Ebert is sitting down to watch a movie in the Lake Street Screening Room, on the sixteenth floor of what used to pass for a skyscraper in the Loop. Ebert's been coming to it for nearly thirty years, along with the rest of Chicago's increasingly venerable collection of movie critics. More than a dozen of them are here this afternoon, sitting together in the dark. Some of them look as though they plan on camping out, with their coats, blankets, lunches, and laptops spread out on the seats around them.

The critics might watch three or four movies in a single day, and they have rules and rituals along with their lunches to make it through. The small, fabric-walled room has forty-nine purple seats in it; Ebert always occupies the aisle seat in the last row, closest to the door. His wife, Chaz, in her capacity as vice-president of the Ebert Company, sits two seats over, closer to the middle, next to a little table. She's sitting there now, drinking from a tall paper cup. Michael Phillips, Ebert's bearded, bespectacled replacement on At the Movies, is on the other side of the room, one row down. The guy who used to write under the name Capone for Ain't It Cool News leans against the far wall. Jonathan Rosenbaum and Peter Sobczynski, dressed in black, are down front.

"Too close for me," Ebert writes in his small spiral notebook.

Today, Ebert's decided he has the time and energy to watch only one film, Pedro Almodóvar's new Spanish-language movie, Broken Embraces. It stars Penélope Cruz. Steve Kraus, the house projectionist, is busy pulling seven reels out of a cardboard box and threading them through twin Simplex projectors.

Unlike the others, Ebert, sixty-seven, hasn't brought much survival gear with him: a small bottle of Evian moisturizing spray with a pink cap; some Kleenex; his spiral notebook and a blue fine-tip pen. He's wearing jeans that are falling off him at the waist, a pair of New Balance sneakers, and a blue cardigan zipped up over the bandages around his neck. His seat is worn soft and reclines a little, which he likes. He likes, too, for the seat in front of him to remain empty, so that he can prop his left foot onto its armrest; otherwise his back and shoulders can't take the strain of a feature-length sitting anymore.

The lights go down. Kraus starts the movie. Subtitles run along the bottom of the screen. The movie is about a film director, Harry Caine, who has lost his sight. Caine reads and makes love by touch, and he writes and edits his films by sound. "Films have to be finished, even if you do it blindly," someone in the movie says. It's a quirky, complex, beautiful little film, and Ebert loves it. He radiates kid joy. Throughout the screening, he takes excited notes — references to other movies, snatches of dialogue, meditations on Almodóvar's symbolism and his use of the color red. Ebert scribbles constantly, his pen digging into page after page, and then he tears the pages out of his notebook and drops them to the floor around him. Maybe twenty or thirty times, the sound of paper being torn from a spiral rises from the aisle seat in the last row.

The lights come back on. Ebert stays in his chair, savoring, surrounded by his notes. It looks as though he's sitting on top of a cloud of paper. He watches the credits, lifts himself up, and kicks his notes into a small pile with his feet. He slowly bends down to pick them up and walks with Chaz back out to the elevators. They hold hands, but they don't say anything to each other. They spend a lot of time like that.

Read more: http://www.esquire.com/features/roge...#ixzz0gs0XNpXZ

http://www.esquire.com/features/roger-ebert-0310

[MoBettah]

Caught this article in my esquire, remarkable in depth look at a man who is so much in the public eye yet no one seems to know anything about. I look at his reviews and articles with new found respect and interest now.